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A Trisha Brown company tour recalls a time when Rauschenberg, one of the country’s most influential artists, was changing and ...
“Monogram” (1955–59), part of the pioneering series of works Robert Rauschenberg made that he called “Combines.” In these pieces, he conjoined painted canvases with physical ...
Conductor Stephanie Childress returns with a captivating program featuring Armenian American composer Mary Kouyoumdjian’s ...
This combine darkly hints of that fall ... Monda curator of modern and contemporary art. The Robert Rauschenberg Foundation provided additional consultation and support.
Plus, Emporio Armani launches its new fragrance and Hannah Lee makes her West Coast debut at James Fuentes The post Catherine ...
Art is, at its core, about combination: a painter combines red pigment with yellow pigment and creates the color that gives poets nightmares; he combin ...
A piece by Robert Rauschenberg titled "Hallucination." (Courtesy of Robert Rauschenberg Foundation) In 1955, he created Bed, a turning point in his innovative “Combine” practice that merged painting ...
Forbes contributors publish independent expert analyses and insights. Chadd Scott covers the intersection of art and travel.
Also of note: Trisha Brown Dance Company and Merce Cunningham Trust’s presentation of Brown’s “Set and Reset,” with visual design by artist Robert Rauschenberg and an electronic score by ...
Foundations for Joan Mitchell and Robert Rauschenberg are among the most influential grant-makers at a time when private funding for artists is more important than ever.
The long slide began in 1953, when the almost-50-year-old artist agreed to give a young Robert Rauschenberg one of his drawings to erase and present anew as “Erased De Kooning Drawing,” a ...
(Fred Romero/Flickr/ CC BY 2.0) But the real radical move in 1970 was when approximately 25 of these 47 artists—including Andy Warhol, Robert Rauschenberg, Carol Summers, and Claes Oldenburg ...
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