A Trisha Brown company tour recalls a time when Rauschenberg, one of the country’s most influential artists, was changing and ...

Art is, at its core, about combination: a painter combines red pigment with yellow pigment and creates the color that gives poets nightmares; he combin ...

“Monogram” (1955–59), part of the pioneering series of works Robert Rauschenberg made that he called “Combines.” In these pieces, he conjoined painted canvases with physical ...

This combine darkly hints of that fall ... Monda curator of modern and contemporary art. The Robert Rauschenberg Foundation provided additional consultation and support.

Related article: Return of the Native Catching up with Robert Rauschenberg ... and his early ‘combines’ put a new twist on the existing aesthetic, in that they interject everyday life into ...

Robert Rauschenberg, New York City ... his incorporation of photographs into the “Combines” (1954-1964), and his later works from the 1970s, where photographic transfers onto canvas added ...

LOS ANGELES — Between 1981 and 1998, Robert Rauschenberg created a self-portrait ... It also encompasses the many phases of his career: the early Combines, those found-object hybrids in the ...

Amei Wallach's film takes us back to a time when a PR campaign in the art world could seem the height of scandal. Rauschenberg’s mixed-media paintings, known as “combines,” were dazzling and ...

His “Combines,” for example ... Mataaho Collective — a New Zealand–based group of four Maori women. Robert Rauschenberg’s “Buffalo II” (1964); Rauschenberg at the Venice Biennale ...

Robert Rauschenberg in front of his silkscreen ... (Rauschenberg’s “Monogram is his most famous “combine”—a blend of painting and sculpture—featuring a stuffed Angora goat encircled ...

Rauschenberg coined the term “combines” in response ... “The consecration, if one can call it that, of the American painter Robert Rauschenberg at the Venice Biennale is a degrading event ...